photo by Lenny Gonzales
Carl Ludwig Huebsch: „From the point of view as a listener Philip, how do you tell whether an improvisation is good or not?“
Phillip Greenlief: „Well, perhaps it’s easier to say what isn’t good than what is good. It’s hard to describe these things – but if the person playing seems in their head and self-possessed and not really thinking about the room – that’s not a good thing. But just when it’s good, I stop thinking. I’m just listening“
Huebsch: „What makes you feel good about contemporary improvisation?“
Greenlief: „When I’m listening to a great improviser, I just lose track of myself and my thinking. I’m not analyzing anything. I’m not saying ‘oh, they just did that again‘. I’m not arguing with the performance in my head. It’s communicating to me and I’m listening and I’m open and receptive. Sometimes it’s you, you can be tired and your mind just doesn’t want to pay attention. I think that’s the case with any art form, whether it’s a movie or a novel, or a painting in a gallery. „PHILLIP GREENLIEF“ weiterlesen